Every episode opens with a similar narration, each slathered liberally with “metaphors” and “analogies” and other such things that the scriptwriter smugly pats himself on the back for remembering from secondary school, and none of them are any more meaningful than the others-and once the character n (pronounced ‘Nano’), who has been providing these narrations, enters the story, the viewer is treated to the same half-assed pseudo-depth in his dialogue. In retrospect, the opening narration of the first episode-delivered by an utterly bored, slow, monotonous and uninvolved Takumi Yamazaki-was probably describing the war and the proceeding division, but if it is, it’s through a metaphor so thick and incomprehensible that it’s completely nonsensical if the viewer is not already familiar with the plot (a point which I’ll return to later). I learned that from the plot summary on MAL.
#Togainu no chi wiki character series#
Firstly, the backstory-the splitting of Japan-is never mentioned in the series itself. That’s because, even after completing the show, I’ve barely been able to string together a series of events. You may have noted that my plot description is rather vague. The prize is, from what I can gather, leadership of some kind of illicit drug company, which the strange woman wants to take down from the inside. While awaiting trial, a strange woman offers him freedom on the condition that he move to Toshima, the lawless region, and participate in some kind of battle royale.
#Togainu no chi wiki character professional#
The main character, Akira, is some kind of professional street fighter in the more civilised region before he is falsely accused of murder. The story is simple (but don’t let the story know that-it carries itself as though it is the most sobering parade of man’s inhumanity to man since the last time someone made a holocaust film): in the not-so-distant future, a third world war has split Japan into two fractions: one which has been civilised and rebuilt (of which we see very little), and another which is a lawless wasteland.
Togainu may be the greatest slight to the reputation of the genre yet. This does nothing to improve the reputation of BL, whose detractors dismiss it all as shallow, pandering garbage, insulting and even offensive to actual homosexuals and its fans and followers as noisy, awkward high-school girls of unrefined taste with no appreciation for the finer points of artistic pornography. The genre, despite its booming popularity and flourishing diversity in manga and doujinshi, suffers greatly somewhere in the transition to animation-for some reason, the anime industry doesn’t like the genre very much, and even hugely popular titles are treated to adaptations with cut corners and But the most tragic part is how horrifyingly embarrassing it is to the BL genre and its fans. It is an embarrassment to A-1 Pictures, who have proven with titles like Birdy the Mighty DECODE and Ookiku Furikabutte that they can do better. In fact, the further along he goes on his journey, the more it seems like the poet is following him, always vanishing just when Konoe is about to ask his name.It is an embarrassment to Nitro+, the producers of the source material. The mysterious poet who appears in the village of Karou one day inspires an interest in Konoe that he cannot understand. In life, Shui was an extremely powerful sanga, running for the office of head sanga in Ransen, but his rivals were attempting to use his friendship with Leaks against him, ultimately killing him. He's a very gentle and soft-spoken individual, who talks very affectionately of his family, and also desperately tries to convince Leaks of his true feelings. Although he was killed 18 years ago, his spirit continues to linger, seeking to repair what he feels is his fault, and to protect his beloved son. Shui is silent for a large portion of the game, hiding his face in his robes and shawl. When his face is revealed he has long reddish-brown hair with a long fringe, and yellow-green eyes. He is always seen covered in layers of clothes, his face is hidden in a long hood and shawl eyes not seen. Has some sort of connection to Konoe and Leaks. Shui (シュイ), introduced as The Poet, is a mysterious man that follows Konoe and his friends during their travels. This song is the beginning of our great and pitiful world. A fleeting beauty is released before our demise.
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